I’ve been waiting quite a few months now just to include Ridley’s comments on shot sizes, but I waited because I wanted to supplement it with another filmmaker’s comments on the same topic. I’ve finally come across just that – courtesy of Alex Proyas (The Crow, Dark City) – we now have two filmmakers commenting on constructing a visual narrative through shot sizes. It’s a topic I’m personally extremely interested it and have studied at great length and continue to on a daily basis. It is a very important aspect of the cinematic language that one must have a solid grasp on. It can be complex in the beginning, but once one grasps it, it becomes much easier to tell a story visually.